As mentioned in my previous post, I held off on sharing my photos from the landscape workshop because I wanted to really go through them and really do them justice. I took roughly 600 photos from both locations in total. I know that sounds a lot, but I bracketed my shots so I ended up with a lot of the same shots. Going through and culling these shots took some time. I’ve managed pick out 2 from Canal Rocks and 3 from Sugarloaf Rock that I am happy with. I’ll go through the photos below and share my thoughts on them.
This was one of the first few compositions I tried at Canal Rocks. I struggled in terms of composition here. As the sun was setting, I decided to set up in a sort of a valley for this composition. I noticed that every now and again, there would be a massive wave that would crash against the rocks. I started off with a close- up shot of just the rocks with the wave but didn’t really like the way it turned out. I decided to go wider and include a bit of the foreground to add depth to the photo. I quickly realised that I have come upon a problem that I had never encountered before. Seaspray. As you can see on the right side of the image, I had some water droplets on my lense, which was then accentuated by the sun. It was a constant battle between wiping the lense and taking a shot before getting more seaspray on it.
This shot was taken about an hour after the first one above. I was going for a more ethereal look by using a longer shutter speed. As before, my lense was just covered in water droplets, but it was not as obvious on this image compared to the last one as the sun had set below the wall of cloud. I think it would have been a more impactful image if I had set up closer to the water and have that wispy-ethereal water as the foreground instead of static rocks. Of course, this can only work if the waves weren’t so strong. Another thing that bothered me with this image was the lense flare on the right.
This was the moment the morning light hit Sugarloaf Rock. It came so suddenly that I was scrambling to get the shot. To be honest, the composition is nothing special. I opted to go for the classic shot after struggling with Canal Rocks the previous day. I wish the clouds would have caught the early morning light as well and just add a bit more interest.
Shifting the composition slightly, I wanted to include the foreground a bit more for this shot. This was taken about half an hour after the previous image so the whole of Sugarloaf Rock is now lit up with that nice warm glow. I liked how the vegetation at the bottom added a nice touch of green to the overall image. I wish I had a 10 stop ND filter for this shot to create some movement in the cloud.
If I had to pick a favourite shot from the whole workshop, this would be it. This was actually one of the first few shots I took upon arriving at the location. According to the metadata, this was taken at 5.06am. It was still fairly dark at the time. Initially, I wanted to try a long-exposure for this shot to try and get the wispy, ethereal look on the water but decided against it. I’m glad I did. At 2.5sec, it was long enough to capture motion on the water but short enough that you can still see the lines and definitions in them. I love this image, so much so that I am considering getting it printed.
All in all, it’s been a fun weekend and I had learned a lot. The knowledge that I had gained from this workshop and from James has been great. It had really pushed me out of my comfort zone. Granted, waking up at 3 in the morning is probably out of the comfort zone for a lot of people, but I’m glad I did it. Thank you again, James, for imparting your knowledge to us, and to all participants that made this possible.
Drop a comment below if you have any feedback on the blogs so far, or if you just want to say hi and have a chat 😁 Blogging is still very much new to me but I am excited to share my photos and experiences with you through this medium.